The University of the Cordilleras- Center for Creative Productions (UC-CCP) has demonstrated its unwavering commitment to preserving authenticity in cultural productions through its recent dance research immersion in Kabugao, Apayao. As part of their preparation for the Panagbenga Cultural Competition, the Saeng ya Kasay Cultural Ensemble delved into the music and dances of Apayao, seeking to ensure a faithful representation of the region’s rich cultural heritage.
The immersion, which took place from November 13-15, 2025, proved to be a transformative experience for the members of the UC-CCP. Led by the office of the municipal mayor, Mrs. Jocelyn Enciso-Ligwang, the group gained valuable insights into the history and traditions of Apayao, particularly in Kabugao. Through engaging discussions with local experts and immersive experiences, the UC-CCP members gained a profound understanding of the nuances and intricacies of Apayao’s music and dances.
The first day of the immersion saw the UC-CCP engaging with the Tourism Office of Kabugao, where they were enlightened about the history of Apayao and the efforts of the community to preserve its cultural heritage. The presence of Madam Natalia Batoon, a revered figure known for producing authentic Apayao attire, added a personal touch to the discussions, highlighting the dedication of the community in upholding its traditions. The UC-CCP members were deeply moved by the stories shared and recognized the importance of ensuring the accuracy of their representations.
The subsequent days of the immersion provided the UC-CCP with the opportunity to witness firsthand the traditional dances, Talip and Taddo, performed by the people of Kabugao. It became evident that there were discrepancies between the dances performed by the UC-CCP and the authentic movements of Apayao. The immersion allowed the group to identify areas for improvement, particularly in the execution of steps and the incorporation of traditional musical instruments such as the Ludag. The guidance of local experts, including Mr. John Enciso, proved invaluable in refining the UC-CCP’s understanding of Apayao’s music and dances.
The final day of the immersion culminated in a visit to Madam Natalia Batoon’s house, where the UC-CCP had the privilege of witnessing the intricate craftsmanship of authentic Apayao attire. The challenges faced by the community in sourcing raw materials for these traditional garments underscore the importance of preserving and promoting cultural practices. The UC-CCP also engaged in discussions with the locals regarding the conceptualisation of their upcoming production for the Panagbenga Cultural Festival, ensuring that their portrayal would be respectful and accurate.
In conclusion, the dance research immersion in Kabugao, Apayao has been a pivotal experience for the UC-CCP. The journey has illuminated the significance of unlearning and relearning, emphasising the need for authenticity and cultural sensitivity in their productions. Armed with a deeper understanding of Apayao’s culture, the UC-CCP is poised to create a well-researched and authentic portrayal of the community, honoring its traditions and contributing to the preservation of cultural heritage.
The commitment of the UC-CCP to authenticity serves as a beacon for cultural preservation, inspiring others to approach cultural representations with the same level of respect and dedication. Through initiatives such as this dance research immersion, the rich tapestry of Apayao’s music and dances can continue to thrive, ensuring that future generations will be able to experience and appreciate the beauty of this cultural heritage.
Author: Dr. Peejay Natiola | CCP Director
